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Meryl Streep Reveals the Real Inspirations Behind Miranda Priestly — and It Wasn’t Anna Wintour

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Meryl Streep Reveals the True Inspirations Behind Miranda Priestly.

Nearly two decades after The Devil Wears Prada became a cultural touchstone, Meryl Streep is finally clearing up one of the film’s biggest myths. For years, fans assumed her icy, impeccably controlled fashion editor Miranda Priestly was modeled directly on Vogue’s Anna Wintour. But according to Streep, the truth is far more cinematic.

During an April 1 appearance on The Late Show with Stephen Colbert, the three-time Oscar winner revealed that Miranda’s signature cool authority came from two Hollywood legends: director Mike Nichols and actor‑director Clint Eastwood.

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“If Mike Nichols and Clint Eastwood had a baby…”

Streep explained that she borrowed Nichols’ sly, understated command — a style she experienced firsthand while working with him on films like Silkwood and Heartburn, as well as the acclaimed miniseries Angels in America. His quiet humor, she said, was often mistaken for severity, a quality that translated seamlessly into Miranda’s razor‑sharp presence.

Eastwood, on the other hand, inspired the character’s near‑whisper approach to power. Known for directing in a calm, almost hushed tone, he created an atmosphere where everyone leaned in to listen. Streep said she channeled that same energy to make Miranda’s authority feel effortless and unshakeable.

Nichols knew about the homage — and loved it. Eastwood, she admitted, still hasn’t heard the story.

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A Cerulean Callback

Streep also delighted fans with a nostalgic fashion moment during her interview. She appeared in a cerulean blue sweater — a playful nod to the film’s iconic monologue about the fashion industry’s influence on everyday choices. The updated sweater was custom‑designed for the occasion and styled with subtle jewelry, creating a modern twist on a now‑legendary look.

Anticipation Builds for The Devil Wears Prada 2

The renewed buzz around the film comes as excitement grows for the upcoming sequel, set to hit theaters on May 1. Reflecting on the original 2006 release, Streep recalled how the movie was initially labeled a “chick‑flick,” a term that affected its budget and the industry’s expectations.

She noted how much has changed since then, pointing to the massive success of female‑led films like Barbie and her own Mamma Mia!. Studios, she said, continue to be surprised by how strongly audiences respond to stories centered on women.

This time around, she added with a laugh, the sequel’s budget reflects that shift: “They spent the money.”

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